It's been a year and I've decided to not just reform my review, but use better words to describe my view. I am a teen in high school, where I have taken choir and studied music. My interest in Celtic, world, classical, New Age, and Christian music has led to me researching a great deal of music, especially on Encarta Encyclopedia. Most teens like my sister are more into the pop genre, but you will find very little of that when you click on my name. I got this album more than a year ago for my birthday, having been a merging fan of Loreena, but a longer fan of Enya. I have found this Enya vs. Loreena battle to be very immature, like the pointless teen battle of N'Sync vs. Backstreet Boys. And that has given me the thrust to do this review.Having taken choir, I've come to better understand the singing voice. At first I just thought Loreena was a soprano and Enya was an alto, then I thought they were both mezzo-sopranos, but now I believe that Loreena is for sure a mezz0-soprano, being very strong in the low and high keys, and Enya emphaisizes moer on low notes, making her most likely an alto, but she also sings occasionally an octave higher. Anyone who has studied the treble voice knows that it is very unfair to compare a soprano with an alto. It has nothing to do with whose voice is "stronger" or "better". It's about range and if you are best at the low key, you stick to the low key and if you are best at the high key, you stick to the high key.I have often enjoyed sharing this music with others. My mother has taken interest in how Loreena does very well at blending Middle East/North African music with Celtic music, and she often sings in Celtic styles. I have showed my father how Loreena does very well at adapting poems with music and using the music to express the meaning of the poetic lyrics. I have also displayed how well Enya can make music in terrific ways. My grandmother, who is a music teacher, has said that Loreena McKennitt is very talented to be able to play the harp, piano, and accordian, as well as sing exceedingly well. She has also complimented on how well Enya can do with her composing, keyboard playing, and singing. We have commonly listened to the music of both Enya and Loreena on long trips and it is a great delight for the whole family.There are many compliments I can give on this album specificully. I love all of Loreena's songs and like all of her albums, she does very well at using a lot of variety. The instrumentation is very well done and her voice never fails in the high or low keys. I was very enchanted by her adaption of "The Dark Night of the Soul", which has a very Latin/Renassance style and she so enchants the words. I well forever thank Loreena for her introducing me to W.B. Yeats in "The Two Trees", for I was very touched the poetic message, Loreena's music, and the intro on the uillean pipes. The beats of "The Mystic's Dream", "Marakesh Night Market", and "Santiago" make you want to dance. I once shared this CD with some friends who loved dancing to this music. A while ago a read Shakespeare's "The Tempest" and on this album I was very impressed by how Loreena made a very charming adaption of the conclusion. Both track 5 and track 8 have a very ethereal sound, that so called "Enya-like". But like any artist, Enya and Loreena do music their own way.In conlusion: I always love listening to the music of Enya, Loreena McKennitt, and many others. You can click on my name if you please to see my reviews for other great music. For more strong sopranos, I recommend Charlotte Church, Anuna, Sarah Brightman, and Noirin Ni Riain. For powerful altos I suggest Niamh Parsons and Maire Brennan. I always enjoy music like this in all place, my room, doing my homework, in the shower, going to sleep and waking up, ect. Age does not matter.